SaGe
Ryu, DongHyeok

I began photographing the city to record what was visible—

its buildings, its streets, its light.

But the more I looked, the more I felt the images resembled everyone else’s.

So I turned to experiment. I tried pinhole lenses, shifted settings, waited.

Then one evening, a blur appeared on my screen—

soft, painterly, and unfamiliar.

It was the first time the city felt like mine.

Since then, I’ve continued to drift through its edges,

capturing not just structures, but the tremble of seeing.